Disc Specs

  • Region:
    2
  • Released:
    22nd September 2003
  • Country:
    United Kingdom
  • Running Time:
    124 minutes
  • Screen Format:
    1.85:1 Anamorphic PAL
  • Discs / Sides / Layers:
    1 / 1 / Dual
  • Soundtracks:
    Portuguese Dolby Digital 5.1
  • Subtitles:
    English
    English for the hearing impared
  • Special Features:
    News From A Personal War
  • Distributor:
    Miramax

Film Specs

  • Certificate:
    18
  • Released:
    2003
  • Country:

  • Director:
    Fernando Meirelles
    Katia Lund
  • Starring:
    Alexandre Rodriguez
    Leandro Firmino Da Hora
    Phellipe Haagensen
    Jonathan Haagensen
    Matheus Nachtergaele
    Sue Jorge
  • Genre(s):

City of God - Cidade de Deus

22-09-2003 08:00 | 27700 views  |  Matt Day  |  Show Backlinks

The Film

Rio de Janeiro is a city known the world over for its samba music and its carnival, not only is it the capital of Brazil, but it’s their tourist capital too. It’s an image the Brazilian government fought hard to earn and harder to maintain, keeping the streets clean and crime free isn’t easy, and like any clean up operation, you need somewhere to dump your rubbish.


The City of God is the nickname given to Rio’s most notorious slum, the Brazilian authorities deciding that rather than solve the problem of the poor and homeless cluttering up Rio they would simply move them, and so thousands were displaced into the City. Provided with only the most rudimentary of homes, with no luxuries like street lights or paved roads, they were expected to simply fade away, no longer being a problem on the political radar. Unfortunately the residents of the City didn’t all seem so happy with their situation, and naturally many of them weren’t willing to work their way up, a life of crime seeming like a much easier route to happiness.

The Tender Trio are three aspiring hoodlums, and even though they wouldn’t know the big time if it attacked them with a baseball bat, the kids of the ghetto aspire to be just like these local outlaws. None more so than Lil’ Dice, his fingers may barely be big enough to grip a pistol but his head is overflowing with criminal enterprise, and that happens to be the thing that the Trio are lacking. Lil’ Dice plans a motel raid for them, holding up the register and then going to work on the guests, who’ve snuck away for a night – or an hour – of illicit passion. When the police arrive they’re presented with a bloodbath, the Tender Trio are now the most wanted people in the City of God. Forced to go on the run it seems their reign as the idols of the wannabe criminals is coming to an end.


Fast forward a decade and Lil’ Dice is all grown up, now calling himself Lil’ Ze he wants nothing more than to be the boss of the ghetto, it’s not the money, the drugs or the women he craves, its simply the power. It seems that the years have only added experience to his already formidable criminal mind, and before you know it Ze is running the drugs business in the city, not only that but his influence is such that other forms of crime have all but stopped. You can’t so much as snatch a loaf of bread without Ze’s approval, and that’s approval he isn’t giving, anyone caught breaking the law – and forcing the police to take an interest in the slum – is severely punished. By becoming the most feared criminal the City of God has ever seen Ze has made the streets safer for the everyday folk than the government ever could, he’s riding the crest of a wave, but eventually he’s going to meet the shore.
You don’t get far in a life of crime without making enemies, and despite the fact Ze has made a habit of killing anyone that he thinks will cause him a problem a few have slipped trough the cracks, a few have been let go as favours to his best friend and business partner Benny, and there are a few he never knew existed – friends and family of those he’s killed. As the list grows it becomes clear, all they need is a leader, and a spark, for the City to become a war zone.


Rocket has grown up in the City, and therefore around crime, but despite his brother Goose being one of the Tender Trio Rocket has never had an urge to enter the life. His passion has always been photography, he dreams of one day working for a newspaper, getting paid to do the one thing he loves. For now he has to make do with being his friends ‘official photographer’ documenting all the ways 16 year olds waste their time, and their lives. He’s managed to befriend an employee - another resident of the City - in the photo-lab of one of Rio’s biggest papers which he hopes could one day lead to a job, but with his friends all being enveloped by Ze’s underworld how long can he remain uninvolved as the City of God draws its battle-lines.


City of God feels real, from beginning to end, and often too real. It’s based on a true story, directed by a former documentary filmmaker, and acted by residents of the real City of God, it doesn’t get much more real than that. And truth is much stranger than fiction. If you were asked to imagine a story of gangsters, most under 20, many under 10, you’d probably bring to mind something more along the lines of Bugsy Malone. More often comparisons have been drawn with Goodfellas, but this would be Goodfellas where most of the family is made up of Joe Pesci’s, these kids are crazy, and they’re all but above the law. Their street battles are more bloody and ruthless than the worst of American legend, and when a turf war breaks out here it looks more like civil war, the police are nowhere in sight as the gangs of thugs with a cobbled together armoury kill without hesitation, and even with a sense of joy.


The direction is near flawless, for a documentary filmmaker Fernando Meirelles has an amazingly cinematic technique, using every trick in the book, from split screen to time lapse to tell the story of the City. The narrative jumps back and forth through time, freezing in the middle of a potentially explosive scene and whipping back to show the chain of events that have brought us to this point, it’s an exciting, attention grabbing style that will keep you gripped. City of God is a complex and brutal look at life in one of the most dangerous places on Earth, and easily one of he best films of the year, if you miss this you’re missing out on what cinema is all about.

The Picture


The film is shot with a largely hand held, often grainy look, full of dazzling colours and beautiful scenery and the transfer captures this brilliantly. It’s a clean print, a well encoded transfer, the colour levels are as excellent as the source material requires and the detail levels are superb. It couldn’t have asked for better treatment.

The Sound

Although less exciting than the visuals the soundtrack has some great moments that make good use of the format. Right from the start the inter-cut shots of a blade being sharpened send piercing shrieks through your speakers, seemingly coming at you from all around, and gun battles will light up every speaker. It may be quite a dialogue heavy film but every effort has been made to make this an engaging soundtrack.
The film is presented in its original Portuguese language and there is no English dubbed track available on the disc.



The Extras

News From A Personal War

There may only be one extra feature on this disc but it’s an excellent one, this hour long documentary about the real favelas of Rio de Janeiro is as good as they come. Shot over the course of two years it examines how the slums were taken over by the gangsters, how the police brutally treat the residents, and how much hope there is for the situation. Interviewing everyone from street dealers, gang members not yet into their teens, and a police chief who is brutally honest about the situation in the slums and the attitude the police take towards them, it’s an often shocking piece. As you watch a Brazilian policeman cheerfully display the ridiculously powerful artillery they use to fight the dealers you may feel disgust for their attitudes, but just wait until you’re given a tour of the confiscated weapons room down at the station and then try to condemn their actions. It may well not present many answers, but it asks an awful lot of questions and will certainly leave you thinking long after you’ve finished watching.

Overall


City of God is a dazzling film, hard to fault and more than worthy of the praise that has already been lavished on it, you’ll find it on every top ten list come the end of the year. The DVD is less spectacular, and while the presentation of the film itself is first rate it would have been great for some material on the making of the film to be included, you’d think a documentary maker would have shot some behind the scenes footage! That, however, doesn’t stop this from being an essential purchase.

DVD Times Ratings

  • Film:
    10
    10 out of 10
  • Video: 
    10
    10 out of 10
  • Audio: 
    8
    8 out of 10
  • Extras: 
    5
    5 out of 10
  • Overall: 
    9
    9 out of 10

Reader Ratings

  • Film 
    8.8
  • Video 
    0
  • Audio 
    0
  • Extras 
    0
  • Overall 
    7.5

Comments

#1 Posted: 22-09-2003 08:13
bradavon
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Posts: 2907

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Why have you given the extras only a 5 (7 maybe) when you clearly loved the hour long documentary so much?

I'd like to have seen some trailers too at least.

As for the film, while I loved Amores Perros (and it's one of my favourite films of all time) City of God I found hard to connect with and didn't enjoy it as much. I need to give it another chance.

I must say those screen shots make the film look a lot better than I remember.

p.s - If anyone wants DTS (with an anamorphic transfer) but no extras (possibly a trailer) than the HK DVD can be bought for under a tenner at CD-Wow.com.
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#2 Posted: 22-09-2003 08:43
Lowres
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Posts: 3

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The dvd is listed as having the following extras on play.com

Interactive menu
Scene access
Deleted scenes
Theatrical trailer
Production notes
Making of featurette 'Building A Better Mask'
Visual and special effects

I assume this is wrong???

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#3 Posted: 22-09-2003 10:53
Matt Day
Contributor
Posts: 89

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I did indeed love the documentary, but even though it is on the same subject as the film it isn't about the film. If it had been an enqually good documentary on the making of the film, or the real people the film was about, it would have scored higher. It's like including Walking with Dinosaurs on Jurassic Park, whilst both informative and interesting, it gives you no insight into the filmmaking process.
The copy I had for review was identical to the rental version, which 99% of the time with Miramax is identical to the retail one, I will check those features listed at Play today, if they are indeed on the disc I will be buying it, and I'll update the review accordingly tonight. Though as far as I know Play are the only people listing those features.
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#4 Posted: 22-09-2003 12:24
Barry Woodcock
Contributor
Posts: 5

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I can confirm that the retail release is identical to the rental, the Play listing is incorrect.
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#5 Posted: 22-09-2003 12:39
Matt Day
Contributor
Posts: 89

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Nice one Barry, saved me a walk!
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#6 Posted: 22-09-2003 21:52
Dibber
Where are the British filmmakers?
Posts: 116

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I walked out of this film at the cinema. It's an abhorrent load of pish. It fetishes guns, makes "life in the Brazilian slums" look like a Nike advert and only pleases those that enjoy guns going off.
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#7 Posted: 26-09-2003 11:18
Niki.D
Member
Posts: 5

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I thought City of God was an amazing film. Not only did it look visually fantastic it was hugely affecting and certainly made me come away thinking about the lives those people are leading.
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#8 Posted: 27-09-2003 14:23
temsonic
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Posts: 81

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And you'd be able to make a fair balanced judgement having only seen half the film would you Dibber?:rolleyes:
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My DVD Collection
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#9 Posted: 19-10-2003 01:05
maxrenn
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Posts: 4

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Dibber, by walking out halfway through, you denied the film the opportunity to place its first half into context, or to explain to you what happens to these people. Yes, there is a lot of gunplay in the first half, but had you cared to sit through the rest of the film, you would have seen that it is not without its price, and the choices made by the characters in the film all come back to haunt them or dictate the rest of their lives, for better or worse. How on earth could the writer/director have made a truthful film about this subject without showing life on the streets exactly how it is? He had to highlight the overuse of guns, because that's how it is in real life, and he should know, he spent I think 8 years researching it. Please, you cannot understand a film of this nature without staying to the end. After spending 8 years in these slums, I think we owe the writer/director 2 hours of our lives in order to fully respect and understand what he saw.
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#10 Posted: 02-11-2003 11:20
Chebouri
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Posts: 4

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In addition to most reviews and critique on City of God I would be in remiss not to address the following:

Like in so many great films there's an interval known as the Pi-diegesis of the narrative. This can run up to 2 to 5 min. at the beginning of the film and is probably the most important part of the film! Here the filmmaker draws down his first stripe of color for the rest of the painting/film. This color tells us how we should tune in to the film and only than we can fully grasp the filmmakers vision.

One good example is a film like Romeo & Juliet! If you are not aware of the which color the director is painting with you end up hating the film for all the wrong reasons, thus not appriciating his art work! (this is besides the fact of liking it or not! There's a difference!)

City of God is probably one of the best foreign films I have seen in the genre of (war)drama! Lund and Meirelles set the tone for me in exactly 2 min. of film by showing the chicken fleeing the scene of death! What follows is quite hilarious and at the same time it lays down the bases of what the film deals with and how it deals with it! Having a group of kids blazing down the alley after a chicken is not only hilarious but also very triste! And most of us live in a well secured part of this world and don't have to deal with our worst nightmares because we know is only part of our dreams! But our nightmares are a reflection of how many live their lives!

I myself am a screenwriter/director and hope that one day I get to make a film carrying all the right stripes of color!
With this I mean, telling a story that moves and challenges others about their present lives!

To Maxrenn:

You couldn't have explained it better to Dibber! Great!
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#11 Posted: 03-02-2004 22:13
Richard Booth
Contributor & Filmmaker
Posts: 980

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My copy arrived a few days ago from Play.com and I saw it on Monday - a wonderful film, one of the best of last year. If Peter Jackson is snubbed come 29 February, this direction deserves the Oscar instead.
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We do not tell time, time only tells us.
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#12 Posted: 12-04-2004 18:04
Colin Polonowski
Administrator
Posts: 413

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Just finished watching this - a stunning, and suprisingly hard-hitting film. I agree with a few comments above - anyone dismissing the film based on it's first half is severely missing the point. The ending is in fact quite poignant given all that's gone before.

I totally agree with Matt's 10 rating for the film - I watched it on the HK DVD which was reasonably good with a nice transfer and excellent DTS soundtrack (although it was only accompanied with a 2.0 Dolby track). Might be worth picking up as a budget alternative, although no doubt the UK release is probably appearing in bargain bins now anyway.
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Colin Polonowski, Editor
All My Reviews | My Film Journal | CD Times

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#13 Posted: 05-07-2004 16:16
sweete
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Posts: 1

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er..., since the first semester of 1960 the capital of Brasil has been Brasilia; but then that's just one of the pieces of information North Americans don't think is important. It would explain why it's so hard to "get" the film.;)
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